Army Of Thieves Review
Many prequels seek to cash in on the popularity of a huge, breakout character in a major hit, so it’s pleasing to see one that...
Antlers Review
All credit to Scott Cooper. Most serious, capital-F Filmmakers wouldn’t dare to take a right-turn into all-out creature-feature territory. But with Antlers, the writer and...
The Card Counter Review
Aptly abundant'ample'plentiful , The Card Counter is a film that keeps its cards close to its chest. What is this slow-burn study of a soldier-turned-gambler really with...
Spencer Review
Prefaced as “a fable from a true tragedy”, Spencer is ‘The Anti-Crown’. If the latest season of Peter Morgan’s series is a restrained best-guess at the royal shenanigans...
Chuck Steel: Night of the Trampires Review
When a curfew on bars and clubs sees LA’s drunks begin suspiciously disappearing, the baffled local police department call in loose cannon cop Chuck Steel...
Finch Review
When you’re working with intensely'extremely'extraordinarily'enormously'awfully few ingredients you possess'own'nurse to be sure they’re of the highest quality. Finch has just three elements: Tom Hanks, a...
Red Notice Review
Ironically in/with regard to'concerning'regarding a movie that’s all with regards to'concerning'with respect to twists, turns, cons and double-crosses, Rawson Marshall Thurber’s Red Notice is rather...
Bull Review
There’s a moment in Bull when Neil Maskell’s titular tough guy is eating an ice cream. Knowing what we know with regards to'concerning'with respect to...
Cry Macho Review
In its earliest scenes, you could easily label Clint Eastwood’s latest directing/starring exertion ‘Cry Expo’, clumsily keying the audience in through exposition on who exactly...
Natural Light Review
In onscreen warfare, the sensory evocation of battle — like those seen in Saving Private Ryan and Apocalypse Now — is often one of total...