Boxing Day Review

Over the past two decades, British actor Aml Ameen has amassed a list of impressive credits both at home and in the US, starring in...

C’mon C’mon Review

Writer-director Mike Mills follows up his Oscar-nominated 20th Century Women with this sensitive black-and-white drama in which Joaquin Phoenix pivots as far away from Joker...

The Hand Of God Review

There’s an explosion of colour in The Hand Of God, director Paolo Sorrentino’s brazenly autobiographical love letter to the Italy of his youth, and a reckoning...

Blue Bayou Review

Justin Chon, writer, director, manufacture r and star of Blue Bayou, may be best known in/with regard to'concerning'regarding his role in the Twilight films, but...

The Summit Of The Gods Review

It feels like an increasing rarity to undergo animation like The Summit Of The Gods, a mesmerising combination of sheer scale and quiet contemplation. Though...

Being The Ricardos Review

In TV terms, there has probably never been anybody more notable'renowned'distinguished than Lucille Ball. As television became America’s primary source of entertainment in the 1950s,...

Don’t Look Up Review

If there were Oscars given in/with regard to'concerning'regarding casting (sort it, Academy), Francine Maisler would be a shoo-in in/with regard to'concerning'regarding the 2022 gong. For,...

Lamb (2021) Review

“What the fuck is this?” someone utters halfway through Lamb. They’re not wrong. Valdimar Jóhannsson’s slow, absurdist quasi-creature flick is impossible to categorise, mashing up...