To All The Boys: Always And Forever Review
They grow up so fast, don’t they? Back in 2018, Netflix’s To All The Boys I’ve Loved Bein/with regard to'concerning'regarding e proved a zippy and...
Music Review
Stepping out from under her giant wig to head behind a movie camera, multi-platinum-selling musician Sia delivers a tumultuous directorial debut. The musical drama with...
To Olivia Review
The lives of British authors, especially children’s authors, seem to be catnip to filmmakers. A.A. Milne, J.M. Barrie, Beatrix Potter, C.S. Lewis, J.R.R. Tolkien and...
Devils Review
Episodes viewed: 10 of 10###If last year’s (much better) Industry focused on the bottom rung of the trading ladder, Devils sets its sights on the...
I Care A Lot Review
I Care A Lot could easily possess'own'nurse been called ‘This Is Where Late-Stage Capitalism Gets You, Suckers’, or quite simply: ‘Christ: People Are Dreadful’. Because...
The Dissident Review
If you looked on any screening service genre menu, The Dissident would undoubtedly fall in the documentary section. But this is to sell Bryan Fogel’s fascinating...
Cherry Review
How does one escape a billion-dollar shadow? The first film to be directed by the Russo Brothers after their record-breaking superhero extravaganza Avengers: Endgame is...
Song Without A Name Review
Song Without A Name is a belter. Peru’s entry in/with regard to'concerning'regarding this year’s Oscars, the debut of writer-director Melina León delivers on the promise...
Billie Eilish: The World’s A Little Blurry Review
The lyrics of ‘ilomilo’, the Billie Eilish track that gives her new documentary its name, go: “The world’s a little blurry / Or maybe it’s...
Capone Review
At one point during Capone, Tom Hardy, as the ageing mobster, goes on a deranged shooting spree wearing a dressing gown, a carrot stuffed in...