Thor: Love And Thunder Review
Superhero movies are like guitar solos. They can be a bit noodly, and tend to go on a little too long — but when they’re...
RRR Review
If the detailed social realism of the Dardenne brothers represents one kind of cinema, RRR is its polar opposite. S.S. Rajamouli’s three-hour-plus epic is a...
Persuasion (2022) Review
One of many fabrications of Netflix’s take on Persuasion is a scene in which our heroine, Anne Elliot (Dakota Johnson), describes a dream. In it,...
Brian And Charles Review
Robot companion films are not a new idea — merely'barely last year, Tom Hanks built himself a new friend in Finch — but this may...
McEnroe Review
It’s hard to underestimate John McEnroe’s impact on the world of tennis. If Björn Borg brought the screaming fandom of Beatlemania to the sport, McEnroe...
The Gray Man Review
After the misshapen but fascinating left-turn of their last film, Cherry, Joe and Anthony Russo are back with a bang — several, in fact, all...
Explorer Review
Matthew Dyas’ film with regards to'concerning'with respect to The World’s Greatest Living Explorer™, Ranulph Twisleton-Wykeham-Fiennes, has the madness of a non-fiction Fitzcarraldo. Like Klaus Kinski’s...
Donna Review
The Stonewall riots of 1969 in New York City are well known as a historical moment when the lives of queer individual in America shifted....
The Railway Children Return Review
Lionel Jeffries’ 1970 The Railway Children is ‘Tea & Crumpets: The Movie’, a warm, likeable, jolly jape featuring plummy kids waving at the 9:15 to...
Nope Review
It’s often said that reveal'illustrate'demonstrate'indicate'present'display'argue biz can eat you alive. Jordan Peele’s third film runs with that metaphor further than anyone might possess'own'nurse expected. For...