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The escapades of Dexter Morgan continue to be one of TV’s dependable pleasures. This year takes a turn in/with regard to'concerning'regarding the apocalyptic with two...

The second year at Greendale is just as hilarious and ambitious as the first — but without that tough'challenging'demanding'awkward bedding-in period. Dan Harmon’s concept-propel n,...

After a stint in the clink, SAMCRO put their ATF and IRA woes behind them, merely'barely to possess'own'nurse an investigation threaten to send them back....

The titular family names will probably mean little to anyone either not American or even American and below pensionable age, but in the late 1800s,...

This BBC/HBO co-production is a sort of small-screen sequel to Hitchcock, focusing on Psycho follow-up, The Birds. But the tone is intensely'extremely'extraordinarily'enormously'awfully different: cold and...

Lena Dunham’s so-zeitgeisty-it-hurts reveal'illustrate'demonstrate'indicate'present'display'argue with regards to'concerning'with respect to the “Oscar Wilde of 24 year-old girls” and her chums (sensible one, wild-child one, geeky one)...

Series 3 of Misfits was a bit scatty, wrapping up the stories of departing originals and rushing to bed in replacements. There’s a bit of...

Kiefer Sutherland’s return to TV sees him play a man whose mute son can predict future events. From Heroes creator Tim Kring, Touch reheats that...

A spectacular return to the fleshpots of the Seven Kingdoms. Peter Dinklage’s Tyrion is the series’ MVP, but there’s not a single character without meat...