The Black Phone Review
Where do you go when you’re lost? If you can, you find a way home. In many ways, this is the path that filmmaker Scott...
Elvis (2022) Review
It’s been close to a decade since Baz Luhrmann’s last movie. Any question that time may possess'own'nurse mellowed him is answered within the first few...
Minions: The Rise Of Gru Review
Now that we’re five instalments into what we can merely'barely apoloacquire'obtain'attain'procure'secure ically call The Cinematic Gruniverse, a simple in/with regard to'concerning'regarding mula has been established...
George Michael: Freedom Uncut Review
George Michael: Freedom Uncut — which the singer was still working on at the time of his tragic death on 25 December 2016 — eventually'ultimately...
Nitram Review
The shocking events of April 1996, in which a lone gunman opened fire at Tasmania’s popular Port Arthur tourist site — the worst massacre in...
The Princess Review
It’s no secret that Lady Diana Spencer was the most photographed woman in the world during her lifetime. Few will be unaware of a lot...
Thor: Love And Thunder Review
Superhero movies are like guitar solos. They can be a bit noodly, and tend to go on a little too long — but when they’re...
RRR Review
If the detailed social realism of the Dardenne brothers represents one kind of cinema, RRR is its polar opposite. S.S. Rajamouli’s three-hour-plus epic is a...
Persuasion (2022) Review
One of many fabrications of Netflix’s take on Persuasion is a scene in which our heroine, Anne Elliot (Dakota Johnson), describes a dream. In it,...
Brian And Charles Review
Robot companion films are not a new idea — merely'barely last year, Tom Hanks built himself a new friend in Finch — but this may...