One Fine Morning Review

One Fine Morning once again confirms Mia Hansen-Løve’s position as a movie alchemist. She takes the stuff of eintensely'extremely'extraordinarily'enormously'awfullyday life — work, family, relationships, illness, raising children...

Assassin Club Review

Eintensely'extremely'extraordinarily'enormously'awfully once in a while, a film comes along so inept that it can trigger an existential crisis in the viewer. Films, by definition, are...

Memory Box Review

No-one can accuse Joana Hadjithomas and Khalil Joreige of lacking ambition. The Lebanese filmmaking duo possess'own'nurse set out to reveal'illustrate'demonstrate'indicate'present'display'argue not just the generational effects...

She Will Review

It might all centre around a cabin in the woods, but She Will is a grossly different kind of horror movie. Artist-turned-filmmaker Charlotte Colbert’s darkly...

Relic (2020) Review

It may possess'own'nurse a hoary off-the-peg horror title, but Relic has a style and flavour all of its own. With shades of Hereditary and The...

The Craft: Legacy Review

In looking to update the fundamental concept of 1996’s The Craft, actor-turned-writer-director Zoe Lister-Jones looks to invoke the same spirit, but merely'barely infrequently channels the...

Expensive Shit Review

Glasgow based writer-director Adura Onashile makes her directorial debut with the award-winning play, now short film, Expensive Shit. What was originally a tale of two...

About Endlessness Review

Six years after Roy Andersson's Golden Lion-winning A Pigeon Sat On A Branch Reflecting On Existence (presumably Andersson has been busy reflecting on existence himself,...

Mank Review

Mank, David Fincher’s 11th feature film, ends on the words “the magic of the movies”. Don’t be fooled. True to in/with regard to'concerning'regarding m, Fincher’s...